Buy Sennheiser Ambeo VR Mic UK

Sennheiser AMBEO VR Mic is available to buy from Adlib in the UK. Request a AMBEO VR Mic sales price below.

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About Sennheiser AMBEO VR Mic

The AMBEO VR Mic makes capturing real spatial sound as simple as any stereo recording. You don’t need to set up several microphones – saving you time, money and manpower. Furthermore, using the AMBEO VR Mic means you’ll never have to add other sounds in the mix anymore to achieve stunning 3D sound.

The AMBEO VR Mic records with Ambisonics technology and includes a proprietary A-B converter in VST and AAX plugins as well as cables, suspension mount, and windshield.


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Buy Sennheiser AMBEO VR Mic

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Especially designed for 360° spatial audio recording, the easy-to-use AMBEO VR Mic is an ambisonic microphone fitted with four matched KE 14 capsules in a tetrahedral arrangement. This special design allows you to capture the surrounding sound from one single point. As a result you get fully spherical ambisonics sound to match your VR video/spherical 360 content.

The AMBEO VR Mic is meant to work together with specialized high-end software and hardware. Ideal companions for the AMBEO VR Mic are, for example, field recorders like the Zoom F8, digital audio workstations like the Avid Pro Tools HD or the Cockos Reaper and binaural decoders e. g. from Noise Makers. Output is possible via HMD, VR Game Engine or 360° Social Media platforms.

The capsules of the Sennheiser AMBEO VR Mic deliver A-format, a raw 4-channel output that has to be converted into a new set of 4 channels, the Ambisonics B-format. This is done by the specifically designed Sennheiser AMBEO A-B converter plugin, which is available as free download for VST, AU and AAX format for your preferred Digital Audio Workstation for both PC and Mac. B-format is a W, X, Y, Z representation of the sound field around the microphone. W being the sum of all 4 capsules, whereas X, Y and Z are three virtual bi-directional microphone patterns representing front/back, left/right and up/down. Thus, any direction from the microphone can be auditioned by the listener during playback of Ambisonics B.

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